So you’ve got a couple scales together and you’re jamming over some chords and it appears like you’re doing everything right. But it doesn’t sound like you wish it to. Check out these simple strategies to focus your solo playing and create it more musical.
A modern student came to me only the alternative day with this issue. The stuff he was playing was officially correct, but only didn’t sound really musical. Instead it sounded spread. This really is how we’re solving his issue and it might aid you too.
1. Play simply chord tones. Depending found on the chord you’re jamming over, some notes in the scale are more significant than others. The notes of the chord must shape the skeleton on your melody.
Do these 2 details to practice this
– Pick 1 position of the favorite scale. Let’s take a main scale for illustration. Understand to play the arpeggios for each diatonic chord, staying simply within that 1 position of the scale. If we’re in the key of E main you’d choose the notes of the chords E, F#m, G#m, A, B, C#m, and D#dim. For some additional juices, take those out to the 7ths also.
Staying in 1 position of the scale is significant as it makes you think more melodically than only moving a pattern around the throat. That might keep your melodies better associated. You are able to naturally, go through the same procedure in additional positions of the scale.
– When you’re comfortable with all the arpeggios, begin doing some improv over a development of 2 or 3 chords. A 12 bar blues or perhaps a small 2 chord vamp is usually wise for anything like this. As each chord arrives, just play the notes because chord. It usually nevertheless sound a small “jumpy”, but it might assist you focus the structure of the melody.
The alternative notes of the scale is employed as passing tones, from 1 chord tone to the upcoming. After you’re comfortable really playing the chord tones, commence throwing in a limited of the others. Keep a chord tone on beat 1 for now to keep items focused.
In a advantageous solo, you need to be capable to hear the chords going by, whether or not nobody is playing them, based on your melodic options.
2. Jam with a metronome. This was 1 of my difficulties early on. My rhythm guitar playing was secured in, but my leads went haywire rhythmically, totally losing the groove.
Turn your metronome on to a comfortable tempo. Improvise a melody based on each of these rhythm patterns:
– 8th notes
– 16th notes
– 8th note triplets
– 8th notes and 16th notes, alternating 1 measure each
– 8th notes and 8th note triplets, alternating 1 measure each
– 8th note triplets and 16th notes, alternating 1 measure each
– Do each of the combination ones again, but for simply 2 beats each
Don’t think too much about note choice here. You only like to focus on keeping advantageous steady rhythms and locking in with all the groove. A fantastic solo is less about note choice and more info on interesting rhythms.
With these simple exercises you’ll focus both your note choice and your internal sense of groove. When you’re strong with those you’ll be willing to go on to more complex techniques.